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| Robert Tartell's Bar Mitzvah Photograph with his Parents Ida and Julius Tartell |
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| A Recent Photograph of Lottie and Bob Tartell |
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| Robert Tartell's Bar Mitzvah Photograph with his Parents Ida and Julius Tartell |
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| A Recent Photograph of Lottie and Bob Tartell |
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| Photo: Online.WSJ.Com |
Cemeteries are by their nature mysterious places. They are where the living come to commune with the dead, and where, to some degree, the dead commune with each other. Cemeteries are also museums of the past, containing the earthly remains of people and sometimes, even institutions. The Riverside Cemetery is excellent of this sort of open air museum. Set among rolling hills and tree lined lanes in Saddle Brook, New Jersey, traveling through the grounds, one sees the gates of many New York and New Jersey synagogues and organizations that are no longer. Particularly poignant are the many Harlem congregations and organizations that are now defunct: Beth Israel of Harlem, Beth Hamedrosh Hagodol of Harlem, Harlem Benevolent Association, True Fellowship Society Harlem, Harlem Progressive, Young Men's Aid Society of Harlem, Harlem Kurlander, Harlem Israel Society, and others. There are some congregations that were in Harlem, but have moved out and still exist, such as the First Hungarian Congregation Ohab Zedek, and Temple Ansche Chesed. Of all of them, only our small synagogue, the Chevra Talmud Torah Ansche Marovi, still exists in Harlem.
The second mystery and the one that has truly captured my imagination is the one that surrounds that lonely tombstone of Leo Hand. All that we know about poor Leo we know from his stone. He died on August 3, 1926 at age 10. The death of a child is always a tragedy, which one can still feel eighty-four years later. This sadness is compounded by the physical remoteness of Leo's grave. His matzevah stands alone on the eastern side of our section of the cemetery the next nearest tombstone (in our section) is not less than fifteen feet away. It is all so strange and distant, and yet the grave remains, year after year, each time we visit.
The saddest part of visiting the Riverside Cemetery, at least for me, is neither the Old Broadway Synagogue section, nor the Phoeniz Association section, where my great-grandparents are buried, but the Ansche Chesed section. There, my friend Isaac Meyers lays at rest, after died as a result of a tragic traffic accident three years ago. We visited his grave today, placed some rocks on the tombstone, and recited the 23rd Psalm. We also tried to tell a few jokes, because, he would want it that way. They were not very good. We will have to do better next time.
One of the customs of Shavuos, a late spring holiday, is decorating the synagogue with greenery. In advance of the holiday, and to help beautify our synagogue, our long time member Dale Brown brought in dirt, planters and dozens of plants and set up a new garden in the back courtyard of the synagogue. Considering that this space has been the home to dirt, broken concrete and an occasion piece of trash (and, for a week a year, our sukkah), Dale's addition is a tremendous improvement. The plants include holly bushes, impatiens, ivy and others. In the middle of Manhattan, in West Harlem, we sometimes have to take extra efforts to be aware of the natural world (although the Hudson River is just a few blocks west of the shul). We are grateful to Dale for giving us another aspect of life for which we can praise Hashem.
Tomorrow, the 10th of Adar, is Isaac Meyers' second yahrzeit.Isaac was a doctoral candidate in Classics in Harvard. He had grown up on the Upper West Side, attended the Heschel School, and was a regular at Ansche Chesed with his parents Bill and Nahma, and his sister, Hannah. Then something happened, and somehow he made his way to Old Broadway, which he attended for a year or two, and then made his way to England and them to Harvard. Nevertheless, he often visited home and when he did he could be counted on to make the minyan and, if we were really desperate, to come back to minchah. He was both sweet and funny and always lifted everyone's spirits.
Since my first post about Isidor Thorschein on January 30, 2010, I had the good fortune to be contacted by a couple of his distant relatives, Bobbi Stern and Phillip Walker. Based on their information, the story that emerges about Mr. Thornschein's life is bittersweet. He apparently moved to the United States with his family in the early 20th century. He then moved back to Europe, but returned to the States (with his older daughter Anna) by the late 1920s. He appeared to be man of means (in addition to being a painter) and was involved in various investments, as evidenced by the airplane patent noted in the previous post.
The story does not stop there. Mr. Thornschein continued to take an active role in the Old Broadway Synagogue and published a congratulatory message in our 35th Anniversary Dinner Journal on June 19, 1946. By April 15, 1947, he was dead. I have not been able to find cause of death, but a broken heart was undoubtedly a contributing factor. At a memorial service given May 18, 1947, William Joachim, the then president of the shul, wrote that Mr. Thornschein was a "dynamic personality, a good man, a righteous soul, a noble Jew and a loyal American..." Mr. Joachim continued that Mr. Thornschein had revitalized the synagogue in many ways including installing a modern steam heating system (I heard that there had been a potbellied coal stove originally), that the pulpit be re-carpeted, that new menorah lights be installed on the podium, that the Torahs be dressed in new mantels and that a new parochet be hung, that the building be redecorated, that the facade be sandblasted (I guess they didn't follow the halakhos then of historic preservation), that a recreation lounge be constructed on the lower floor, and finally that the membership be raised from 38 to 70 (we are still working on that one!).
This past Friday, we lost yet another of our old timers at the Old Broadway Synagogue, Yisrael Liberman. I must have originally met Mr. Liberman while walking north to Old Broadway while he was heading south to Ramath Orah, but I only got to know him about ten years ago. At the time, our rabbi, Abe Weschler was courting Mr. Liberman and trying to win him back to Old Broadway. Some time before I began attending Old Broadway in 1993, Mr. Liberman had finally had it with Old Broadway (I heard that he did not approve of the dovish politics of another member who was given the opportunity to speak from the bimah) and left to attend Ramath Orah, another local synagogue. In 1999, Rabbi Weschler was doing his best to bring Mr. Liberman back to our flock. He and his wife Tirtza would often have Mr. Liberman over for Shabbos dinner. It was at such a dinner that I finally got to know Mr. Liberman. I recall that he was boasting of his strength - that he could easily do 50 push-ups, and would gladly do so on the spot. I declined his generous offer, but this would forever prove to me that Mr. Liberman was a shtarker - a strong man. Before Rabbi Weschler left Old Broadway (to join the Air Force), Mr. Liberman did come once - vindicating, perhaps, Rabbi Weschler's efforts. Fast foward a couple of years. Mr. Liberman, unfortunately suffered a severe stroke. Amazing, he largely recovered. With the help of his young roommate, Michael, and his friend, Doug, Mr. Liberman now returned to Old Broadway, which was quite a bit closer than Ramath Orah. We did not talk about whatever issues had caused him to leave Old Broadway in the first place, and we were glad to have him back. I think he was glad to be back to. When he felt up to it, and if we would ask him several times, he would agree to lead musaf in the Shabbos morning service. He had a beautiful voice and sung the prayers in a sweet, Polish-Ashkenazic Hebrew. He would say "Burkhi es hashem hamvurekh" as opposed to "Barkhu et hashem hamevorakh," and so on.
I have not yet had a chance to study the minute books of the congregation, so what I am going to say comes from what is visible around the shul. First of all, there are the two photographs in the Kiddush Room, both from the late 1940s or early 1950s. In one, members of the Ladies Auxiliary stand around a primitive electrocardiograph machine that was purchased and donated to Israel. Another similar photograph shows the women behind a obstetrics table that they bought and were sending to Israel. I think it is fair to say that most of the women in the photograph have that solid Eastern European Jewish look that says, "don't mess with me or you will be doing the dishes for the rest of your life!" Another object that testifies to the importance of the Ladies Auxiliary is a pewter gavel that was inscribed for the Ladies Auxiliary and dates to 1927 (we have not found anything similar for the male membership). The real thing that is the clincher for me is perhaps the most surprising: the inscription over the ark.
But back to the bread. In Bialystok, the bread that was supplied to the students was apparently produced in Wasilkow, a small town about four miles northeast of Bialystok. Rabbi Kret said that when the bread came, it was inedible, and the students had to let it sit for a while. When they did eat it, something in it gave them a burning sensation. Rabbi Kret thought that the flour was stretched by addition of sawdust, which is what gave the burning sensation. Despite the deprivation, Rabbi Kret continued in his studies and was very successful. Rabbi Kret thrived in Bialystok, and became the second in command of the school. (The photo above, from Wikipedia, is of the Great Synagogue in Bialystok, which was destroyed during the Holocaust). He eventually left to return to his hometown of Ostrow Mazowiecka, where he established a branch of the yeshiva.
According to the small plaque on the bottom of the painting, the plaque was donated to the synagogue by Isidor Thornschein on September 30, 1940. While we may not know who the subject of the painting is, we can make a reasonable guess as to who painted it - Isidor Thornschein himself. In his obituary in the New York Times on April 15, 1947, it lists that Mr. Thornschein was a portrait painter and was the owner of the Thorncraft Studio on East 12th Street. Among the last bits of information that we have also come from the New York Times obituary. It states that Mr. Thornschein's relatives were caught in Europe during the war and that he was trying to trace them. Were these his (former?) wife, Honora, and his other daughter? The Times also noted that Mr. Thornschein was survived by one daughter, (Anna?). A couple of years ago, I was contacted by some of his distant relatives (including a great niece), originally from Rumania, and who now live in Australia. They didn't know much. I believe that the person who posted on Ancestry.com is Mr. Thornschein's granddaughter-in-law. I hope to find her, and if I do, I hope she will tell me more. For now, however, we are left with more questions than answers. Perhaps one of our readers knows something and can let us know?