Saturday, November 26, 2022

KLEZMER NIGHT ON OL' BROADWAY, DECEMBER 10, 2022

KLEZMER NIGHT ON OL' BROADWAY

with Bob Cohen, Jake Shulman-Ment & Pete Rushefsky 
Saturday, December 10, 8pm
at the Old Broadway Synagogue
(15 Old Broadway between 125th & 126th Streets in Manhattan)
Suggested donation: $10

Join us for the new klezmer music series at the Old Broadway Synagogue (15 Old Broadway between 125th & 126th Streets in Manhattan) at 8pm on Saturday night, December 10, 2022. 

We'll be featuring three of the contemporary klezmer scene's leading performers - Bob Cohen (violin) Pete Rushefsky (tsimbl/hammered dulcimer) and Jake Shulman-Ment (violin). For decades, an important milestone for aspiring young klezmorim has been to make a pilgrimage to see Bob Cohen of the ensemble Di Naye Kapelye in Budapest. Or even better, to accompany Cohen on a tour of Transylvanian villages in search of the last Roma musicians who played with Jewish bands before WWII. Two such pilgrim over the years have been violin virtuoso Jake Shulman-Ment, now recognized as one of the contemporary klezmer scene’s finest fiddlers, and tsimbl (cimbalom/hammered dulcimer) player Pete Rushefsky. Join the trio for a night of rediscovered melodies, Hasidic spirtuals and rollicking dance tunes. This program is presented by the Old Broadway Synagogue in partnership with the Center for Traditional Music and Dance and Yiddish New York.

Biograpies of performers:

Bob Cohen (violin) was born in New York in 1956 to a Hungarian mother and Moldavian father. In the late 1980s, he commenced his research on Hungary’s Jewish musical heritage, including songs, dances, and musical instruments. In 1993, he founded the influential Budapest-based ensemble Di Naye Kapelye (The New Band) with accordionist Christina Crowder and bassist Géza Pénzes. The musicians present klezmer music in the style in which it was originally performed in Eastern Europe in the early twentieth century. Their 2008 release Traktorist ranked high on Songline World Music Magazine’s “Top of the World” list of best new albums. Cohen served as a consultant, speaker and featured artist at the 2013 Smithsonian Folklife Festival. He is currently touring as part of the Brothers Nazroff ensemble, which recently released their first album on Smithsonian Folkways; the band is featured in the 2016 documentary by Hungarian filmmaker Csaba Bereczki entitled “Soul Exodus.”

Pete Rushefsky (tsimbl) A leading performer, composer and researcher of the Jewish tsimbl (cimbalom or hammered dulcimer), Rushefsky tours and records internationally with violinist Itzhak Perlman as part of the Klezmer Conservatory Band, and collaborates with a number of leading figures in the contemporary klezmer scene including Andy Statman, Adrianne Greenbaum, Steven Greenman, Joel Rubin, Eleonore Biezunski, Michael Alpert, Madeline Solomon, Zhenya Lopatnik, Zoe Aqua, Jake Shulman-Ment, Keryn Kleiman, Eleonore Weill, Alex Parke, and Michael Winograd. Since 2006 he has served as Executive Director of the Center for Traditional Music and Dance, the nation’s leading organization dedicated to the preservation and presentation of diverse immigrant music traditions from around the world. He is a founder of the annual Yiddish New York festival, curated the Yiddish program at the 2013 Smithsonian Folklife Festival and has authored a number of articles on traditional music and culture.

Jake Shulman-Ment (violin) is at the helm of a new generation of Klezmer and Yiddish music performers. He tours and records internationally in addition to being a widely sought-out teacher of the klezmer fiddle tradition at festivals around the globe. He collected, studied, performed, and documented traditional music in Romania as a Fulbright scholar, and has lived and traveled in Hungary and Greece, learning traditional violin styles. In 2018 he received the prestigious NYSCA/NYFA Fellowship in Folk/Traditional Arts. He was a featured subject of Csaba Bereczki’s full-length documentary film Soul Exodus, and appears on HBO’s Succession, Martin Scorcese’s The Irishman, and a host of other film and theater productions. Jake’s debut solo album, A Redele (A Wheel) (Oriente Musik, 2012) was nominated for the German Record Critics’ Award. His new group, Midwood, released its first album, Out of the Narrows, (Chant Records) in May 2018.

Thursday, November 3, 2022

The Klezmographers: Klezmer Music from Around the World, 8:00pm November 19, 2022












THE KLEZMOGRAPHERS: Klezmer Music from Around the World

Pete Rushefsky (tsimbl/hammered dulcimer) & Eleonore Biezunski (violin)

Please join us for our second klezmer melaveh malkah concert!

Saturday, November 19, 8pm  at the Old Broadway Synagogue

(15 Old Broadway between 125th & 126th Streets in Manhattan)

Suggested donation: $10

Pete Rushefsky (tsimbl, banjo) A leading performer, composer and researcher of the Jewish tsimbl (cimbalom or hammered dulcimer), Rushefsky tours and records internationally with violinist Itzhak Perlman as part of the Klezmer Conservatory Band, and collaborates with a number of leading figures in the contemporary klezmer scene including Andy Statman, Adrianne Greenbaum, Steven Greenman, Joel Rubin, Eleonore Biezunski, Michael Alpert, Madeline Solomon, Zhenya Lopatnik, Zoe Aqua, Jake Shulman-Ment, Keryn Kleiman, Eleonore Weill, Alex Parke, and Michael Winograd. Since 2006 he has served as Executive Director of the Center for Traditional Music and Dance, the nation’s leading organization dedicated to the preservation and presentation of diverse immigrant music traditions from around the world. He is a founder of the annual Yiddish New York festival, curated the Yiddish program at the 2013 Smithsonian Folklife Festival and has authored a number of articles on traditional music and culture.

Eléonore Biezunski is an award-winning Parisian singer/violinist now living in NYC. An avid collector of Yiddish music, she co-founded and is a member of Ephemeral Birds, Yerushe, Lyubtshe, Shpilkes, Shtetl Stompers and Klezmographers and has collaborated with a large number of well-known Jewish performers here and abroad. Her recordings include Yerushe (IEMJ, 2016) and Zol zayn (2014). She won a Bubbe Awards in 2021 for her song "Tshemodan" in the category Best New Yiddish Song. As YIVO’s Associate Sound Archivist, Eléonore is the Project Coordinator for the Ruth Rubin Legacy online exhibition (ruthrubin.yivo.org). She is also a member of the Klezmer Institute's KMDMP and Klezmer Archive Project. She has a PhD from the École des Hautes Études en Sciences Sociales in Paris and has published several academic articles about Yiddish music and Yiddish theater. She is a recipient of a NYSCA Folk Arts Apprenticeship. She appears in several documentary films about Yiddish culture and music.



Sunday, October 23, 2022

KLEZMER MUSIC - Oldish n' Newish, 8:00pm on October 29, 2022

 

CONCERT OF KLEZMER MUSIC: Oldish n' Newish

Pete Rushefsky (tsimbl/hammered dulcimer) & Jake Shulman-Ment (violin)

Saturday, October 29, 8pm  at the Old Broadway Synagogue

(15 Old Broadway between 125th & 126th Streets in Manhattan)

Suggested donation: $10


Join us for a swinging melave malkah and the kickoff of a new klezmer music series at the Old Broadway Synagogue (15 Old Broadway between 125th & 126th Streets in Manhattan) at 8pm on Saturday night, October 29, 2022. We'll be featuring two of the contemporary klezmer scene's leading performers - Pete Rushefsky (tsimbl/hammered dulcimer) and Jake Shulman-Ment (violin). From Hasidic spirituals to rollicking dance tunes, Rushefsky and Shulman-Ment breathe life into musical treasures from the past and present new melodies from klezmer's cutting edge. This program is presented by the Old Broadway Synagogue in partnership with the Center for Traditional Music and Dance.

Pete Rushefsky*** (tsimbl, banjo) A leading performer, composer and researcher of the Jewish tsimbl (cimbalom or hammered dulcimer), Rushefsky tours and records internationally with violinist Itzhak Perlman as part of the Klezmer Conservatory Band, and collaborates with a number of leading figures in the contemporary klezmer scene including Andy Statman, Adrianne Greenbaum, Steven Greenman, Joel Rubin, Eleonore Biezunski, Michael Alpert, Madeline Solomon, Zhenya Lopatnik, Zoe Aqua, Jake Shulman-Ment, Keryn Kleiman, Eleonore Weill, Alex Parke, and Michael Winograd. Since 2006 he has served as Executive Director of the Center for Traditional Music and Dance, the nation’s leading organization dedicated to the preservation and presentation of diverse immigrant music traditions from around the world. He is a founder of the annual Yiddish New York festival, curated the Yiddish program at the 2013 Smithsonian Folklife Festival and has authored a number of articles on traditional music and culture.

Jake Shulman-Ment (violin) is at the helm of a new generation of Klezmer and Yiddish music performers. He tours and records internationally in addition to being a widely sought-out teacher of the klezmer fiddle tradition at festivals around the globe. He collected, studied, performed, and documented traditional music in Romania as a Fulbright scholar, and has lived and traveled in Hungary and Greece, learning traditional violin styles. In 2018 he received the prestigious NYSCA/NYFA Fellowship in Folk/Traditional Arts. He was a featured subject of Csaba Bereczki’s full-length documentary film Soul Exodus, and appears on HBO’s Succession, Martin Scorcese’s The Irishman, and a host of other film and theater productions. Jake’s debut solo album, A Redele (A Wheel) (Oriente Musik, 2012) was nominated for the German Record Critics’ Award. His new group, Midwood, released its first album, Out of the Narrows, (Chant Records) in May 2018.

Tuesday, August 23, 2022

Old Broadway Synagogue Honor Roll from 1943

 

This plaque had been in our basement for at least long as I have been attending the Old Broadway Synagogue. Our contractor, Chris Mickalski, recently installed it for us. I had heard that it had been under the fluorescent light fixture on the south wall of the synagogue opposite the bimah, which is where the plaque is now. I believe that the men who are listed on this plaque were associated with Old Broadway (or they had relatives associated with Old Broadway) and who served in the U.S. Armed Forces. It is hard to believe that Old Broadway had that many young men who attended the synagogue in the 1940s, but I suppose that truth can be stranger than fiction. I hope to transcribe the names and include them in a blog post so that they will be search. If anyone can add information about any of these individuals, please do so in the comments below. 

Tuesday, June 21, 2022

Shul Construction Update

Jacking up the lobby floor to install a steel support beam and steel columns

As spring gives way to summer, I am grateful to Hashem that after nearly two and a half years of pandemic, things are returning to normal. Just before the pandemic began, we realized that the floor supporting the staircase to the second floor was gradually sinking. Probes by our conservator and an engineer revealed that at one point during construction, the original contractor planned to build a staircase on the southern wall to the basement, parallel to the staircase on the northern wall. As construction proceeded, the contractor changed his mind and decided that one staircase was enough. As was common from buildings of that era, the hole where the southern staircase was to go was covered but not adequately reinforced. When this was brought to our attention, we resolved to have this deficiency repaired. The pandemic and the the fact that the engineer was sick delayed progress on this project. The condominium collapse in Surfside, Florida, reminded us of the importance of our project and enabled us to get things moving.

Under the guidance of our project manager, Ed Kamper, and a new engineer (hired after our first engineer passed away), we hired a contracted and began to make progress. First, the floor was lifted several inches.  Then, a diagonal steel beam, pocketed in the masonry at the ends and supposed by steel posts, was installed. Finally the beam, and the exposed area of the basement and the electrical room was covered in sheetrock. There are still a few things to do (fixing up the ladies room and installing missing light fixtures, addressing a leaky skylight and leaky windows, and other small issues), but the project is almost done. 

What will we do next? Good question! Next year will be hundredth anniversary of the construction of our building, and truth be told, there is still lots of work to be done.  Down the road, we hope to restore the walls along with all the decorative painting, upgrade the electrical system and replace (with new tin) our tin ceiling. Fortunately, the pattern of the original tin is still available. 

We have come as far as we have thanks to the help of the many people who have contributed to the shul. May God bless all of our donors and may they continue to support this holy house of God.